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To sum it all up, Premiere assembles all of your assets and creates a final video product, while After Effects is mainly an asset-generation tool. People complete projects in After Effects all the time, though — it’s great for creating motion-based social video with only a song bed underneath, or even creating a full animation. FX Master for Adobe After Effects & Premiere Pro. The usage of this action effects templates pack is very easy and you can simply drag and drop items onto your footage. All items of this Pack are hand-drawn frame by frame and they are transparent. Therefore, they will easy work on your videos or your images in both Adobe After effects.
Discover 2,398,383 Stock Footage, Video Effects and After Effects Templates on VideoHive. Buy Stock Footage and Video Effects from $4. Premiere Pro works seamlessly with other apps and services, including Adobe Photoshop, After Effects, Audition, and Adobe Stock. Open a Motion Graphics template from After Effects, customize one from Adobe Stock, or integrate with hundreds of third-party extensions.
After Effects and Premiere Pro are two of Adobe’s flagship post-production apps. But which one do you need for which task? Let’s find out.
When you’re creating a new project, knowing when to use Premiere and when to use After Effects can make or break your project. They are both extremely powerful programs, that can sometimes perform the same functions, but most of the time, one of them is better at something than the other.
Now the differences between these two programs are pretty apparent to anyone who has used them before. But, if you’re new to the suite, it can be confusing determining which one you need to learn for a given post-production task.
Let’s take a look at Adobe’s two main video production software tools and see what they do — and when to use one over the other.
Adobe Premiere Pro
Adobe Premiere Pro is an NLE (nonlinear editor) with the main function of editing video clips together in a sequence. This is the program that most beginners open to create a simple video with multiple clips and music. It’s incredibly scalable — easy to use for beginners, and still powerful enough for a master editor. It’s got just about everything you need to complete a professional video: a clip editor, color correction tools, audio programs, and even graphics software.
Tasks for Premiere:
- Editing a video with existing clips imported from a camera.
- Editing audio within your video — Premiere’s audio functions far surpass AE’s.
- Placing transitions between clips within your timeline.
- Creating/polishing any type of video — short films, music videos, social videos, etc.
Adobe After Effects
Adobe After Effects is a digital motion graphics platform used to create either simple animations or intricate graphics sequences. If you ever hear of a “motion graphics expert,” chances are they’re proficient in After Effects. The program adds motion to layers and assets that you couldn’t do in Premiere. Its motion tools are much better than Premiere’s, and it’s the preferred tool for adding motion to videos, images, and designs. It’s a “hard to learn, easy to master” type of program, but once you get the hang of it, it’s essential for creating motion graphics or visual effects for your projects.
Tasks for After Effects:
- Creating motion graphics packages for your projects.
- Adding motion blur and movement to assets and layers.
- Manipulating multilayer sequences that require detailed keyframing.
- Creating title sequences that include keyframe-based animations.
After Effects Vs. Premiere Pro: What’s the Difference?
To sum it all up, Premiere assembles all of your assets and creates a final video product, while After Effects is mainly an asset-generation tool. People complete projects in After Effects all the time, though — it’s great for creating motion-based social video with only a song bed underneath, or even creating a full animation.
So really, there’s no true “vs.” in this argument. It’s kind of like debating PowerPoint and Word — you use them for different tasks, even though they share some similar functions. They are extremely well linked, though — and like many editors, I use them concurrently all of the time. Once you get familiar with both programs, you’ll learn how to dynamically link After Effects compositions to your Premiere projects so you can access both assets at the same time. (For more information about dynamic linking, check out the video by Justin Odisho above.)
Looking for more on Premiere and After Effects? Check these out.
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Looking to kick your After Effects speed up a notch? Try these different approaches to working with proxies to get your workflow humming.
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Adobe’s After Effects is a powerful program. Its capabilities to work with 3D motion, hundreds of layers, and 4K footage means that it needs a powerful computer to process the data for everything it’s trying to do. Not everyone has the luxury of working on the most recent top-of-the-line machines. However, there are ways to work within the program to make it faster and more efficient.
Using proxies in your project is a great way to streamline your workflow. Proxies, by their definition, are a smaller file replacement which you can put in your project in place of your larger actual file. These are often lower resolution and easier to work with. You make your adjustments accordingly, and then, when it’s time to do your final export, replace the proxies with the actual files.
Download ms lync for mac. The concept is not anything new for many experienced editors in After Effects or other programs. There are several different variations and “hacks” to use for this process, but the most efficient ones are the same. Here are a couple of tutorials and techniques for you to make your After Effects workflow more efficient with proxies.
Create Proxy Movie
One of the straightforward ways to work with proxies in After Effects is through the “Create Proxy Movie” option. Download mac os onto a flash drive. This is the most straightforward, as it will create a new movie file of your larger file for you to work with — giving you the options to make it whatever size and format you’d like. Learn more in this video from Surfaced Studio.
Create Proxy Still
If you’re looking for even more speed and less rendering, you also have the option to create a proxy still in After Effects. This might not work for every project (depending on what you’re trying to edit), but working with a still image when possible is even more efficient. Tommy Dimmel explains in the video below.
Create Proxies in Media Encoder
Outside of working directly in After Effects, you can also always manually create proxies by using Adobe Media Encoder to combine or split files together and change from HD to SD. This process also allows you to use your proxies in other programs like Adobe Premiere Pro. Here’s Fashion One with more.
Bonus: Creating Proxies in Premiere Pro
After Effects Premiere Workflow
If you do want to move into Premiere Pro, you can also make use of proxies in Adobe’s other programs. Here’s a two-part workflow breakdown that takes you through using proxies to make your Premiere project more efficient as well. These videos come from NYC-based Premiere Pro trainer/editor/filmmaker Dylan Osborn. His website is chocked full of useful information, so be sure to check it out.
Have any other tricks for speeding up your proxy workflow? Let us know in the comments below.
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